Each of these is a set of tools Claude calls while it builds — and a normal clip on your timeline afterwards.
Give Claude a voiceover and a picture for each scene. Every image is timed to its line and brought to life with push-ins, pans and depth, with transitions, ambience and music laid underneath.
Every action in the editor is also a tool Claude can call — 321 of them — and they share one undo history with you. Claude reads the app's editing guides before it starts, works beat by beat against your voiceover, and shows you what it changed.
History and explainer videos built from places and people, not text slides. Original characters breathe, blink, walk, gesture while they talk and lip-sync to your narration; crowds cheer; close-ups blur the room behind them.
True country borders with a map camera that flies from a continent to a beach. Countries change colour as they fall, arrows draw themselves along real routes, and front lines move on the words that describe them.
The app measures pacing like an editor does. Long scenes get cut into wide, medium and close shots about every second and a half, labels land on the word, and a review pass flags dead stretches, small text and anything covering a face.
Camera moves, draw-on paths, kinetic type, counters, charts and stamps — placed by Claude on the exact word in your voiceover, with sound effects whose peak lands on the cut.
Bring a talking-head recording: retakes and filler words come out, faces are tracked on your Mac for punch-ins and vertical crops, B-roll is planned line by line, and colour and dialogue are finished before a draft is sent back to you.
Nothing to download first. The app ships with everything it draws.
Auto Edit Flow is coming soon for Macs with Apple Silicon. Connect Claude once; every edit after that starts with a sentence.
